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Archive for the ‘copyright’


YouTube Terms of Service Debate

YouTube recently updated their terms of service to say that by uploading content to them, this gave them a “worldwide, non-exclusive, royalty-free, sublicenseable and transferable license to use, reproduce, distribute, prepare derivative works of, display, and perform the User Submissions in connection with the YouTube Website.” The link above clarifies exactly what this means (including a response from YouTube’s marketing manager.)

That’s all well and good but the important thing is that this has led to a response from people on YouTube including a shirtless cowboy (!) who defends YouTube’s new policy and many many others who take on this guy’s points very eloquently.

J.

Question about Yahoo and the Broadcasting Treaty

Recent news in the copyright world is Yahoo’s leaving digital rights management (DRM) off Jessica Simpson’s new song and making the download of the song playable on most platforms (my first guess was that they’re doing it because the song is so terrible that this is the only way they’ll be able to get people to watch or listen to it). So, presumably, the song can now be copied onto CDs and whatnot.

The bit that really confuses me is that Yahoo has been a really big proponent at WIPO of extending the Broadcasting Treaty to webcasting and simulcasting. The Consumer Project on Technology (CPTech, one of the big WIPO watchdog organizations) went so far as to write them a letter asking them to please back down from their position as “the single most active company pushing the Webcasting treaty, and many of the substantive discussions about the treaty have focused on Yahoo’s desire for a new IPR right for webcasting” (see, for example, one of their presentations to WIPO). What gives? Why is Yahoo so supportive of DRM for webcasting on one hand, but suddenly appearing to be on the cutting-edge of “free” with the release of the Simpson song?

I may have my analysis mixed up - but if not, I think Yahoo may be trying to build a reputation as an organization that supports open access (they also have the “creative commons” option on their advanced search engine), while working in the background, and away from the public eye, on securing all economic rights to everything they put on their sites. Dirty.

Are they assuming the webcasting treaty will some day exist? It was recently pulled out of an optional appendix to the Broadcasting Treaty and put into a separate document which will run on a different, slower “track” from the Broadcasting bit. Nobody knows if it’ll actually work out. What’s Yahoo’s guess?

Clarifications and demystification of the bifurcations are most welcome.

-S.

The Corruptibles!

Huzzah to the Electronic Frontier Foundation for adding three new superheroes to the copyright world! Please welcome…..(drumroll, please)…… The Corruptibles! Has there ever been an easier way to learn about technological protection measures (TPMs)? No! Merci beaucoup, EFF.

-S.

Protecting Trademarks - A Discussion

An interesting discussion over at Metafilter about the issue of trademark protection by corporations. This is an ongoing issue (think kleenex, coke and xerox - er, Kleenex(tm), Coke(tm) and Xerox(tm) but this particular thread was inspired by Adobe’s policy on the use of “photoshopping” as a verb, namely:

CORRECT: The image was enhanced using Adobe® Photoshop® software.
INCORRECT: The image was photoshopped.”

J.

The Pig & The Box - A Response to Captain Copyright

An artist has been inspired by the “Captain Copyright” (self-link) debacle to respond in the form of a children’s book. The book tells the story of a greedy pig who has a magic box that can produce copies of anything. Instead of promoting sharing, the pig charges others to use the box and to maintain control of anything they copy. The book is available online via a Creative Commons license.

I know of at least one other group of individuals who are planning to respond to Captain Copyright - this time in the form of a comic book called “Captain Commons with his sidekick EFF”. Know of any others? E-mail me and I’ll add them here.

(via Boing Boing)

J.

Spanish Copyleft Foundation to Launch

Spanish Copyleft Foundation to launch

The Copyleft Foundation is created in order to defend and stimulate artistic, cultural and scientific production under copyleft licenses.

We believe that copyleft licenses are those which allow creators a greater control over their arts, investigations and projects and a more reasonable economic compensation for their work, as well as allowing the final users a better access to and enjoyment of products under this type of non-restrictive licenses.

For that purpose the Copyleft Foundation will carry out specific projects aimed towards the development and awareness of activities under these copyleft permits in the areas of the arts, culture and science, coordinating and accelerating the synergies that come from individuals, private companies and civil services.

The Copyleft Foundation, which initiates its course this coming month of October year 2006, issues a formal invitation to participate to all those interested in copyleft and who form a part of the chain of assessment of the arts, culture an science as well as individuals and associative companies.

(via Boing Boing)

J.

Barbie VS. Barbie

Fending off copyright monopolization, the supreme court has decided that a restaurant called Barbies, cannot be confused with a doll for children. Go figure! Unanimously no less.

dj

From Saturday’s Globe and Mail:

Barbie not just a doll, top court rules
Trademarks not unassailable, judges decide in two cases

KIRK MAKIN

JUSTICE REPORTER

The Supreme Court broke the heart of the world’s most famous doll yesterday, ruling that Mattel Inc. does not have the exclusive right to use the Barbie name.

In a groundbreaking intellectual-property decision, the court ruled 8-0 that, while Barbie has achieved a distinctiveness within the doll world, that does not give Mattel the right to prevent very different businesses from using the name.

In a second, related case, the court again came down on the side of the underdog — a Quebec clothing store chain that adopted a name similar to a famous French champagne-maker, Veuve Clicquot Ponsardin.

The court said that there was no evidence to show that consumers were confused by the two names, nor is future confusion likely when two products are so different.

The ruling in the Barbie case was a victory for a small Montreal restaurant chain called Barbie’s that ran headlong into Mattel when it tried to register its name for use across the country in the restaurant, takeout and catering business.

“The doll business and the restaurant business appeal to the different tastes of largely different clienteles,” Mr. Justice Ian Binnie wrote for seven of the eight judges. “Whether or not there exists a likelihood of confusion is largely a question of fact.”

Lawyer Bill Mayo, an expert in the intellectual property field, said that owners of famous trademarks can take some solace in the fact that the court has left open the possibility of a trademark being so well known that virtually any use could result in confusion.

“There may be a greater likelihood of confusion when dealing with a famous trademark, but the question comes down to whether the ordinary consumer is likely to think there is a connection between the use of a given mark for a particular product and the owner of the famous mark,” Mr. Mayo said.

Lawyer Diane Cornish, another intellectual-property expert, said the ruling constitutes “a clear message to owners of famous marks that although the ‘fame’ of their mark is a consideration, it does not trump all other considerations.

“It will still be necessary to establish in the mind of consumers that the wares and services of the respective parties come from a common source or are in some way associated or linked,” she said.

Judge Binnie said that the original decision by the Trade-marks Opposition Board to disallow Mattel’s claim was reasonable in the circumstances — particularly since Mattel furnished little evidence of confusion in the minds of consumers.

Lawyers for Barbie’s restaurant had used a “slippery slope” argument, warning that if Barbie is permitted to become an unassailable patented trademark, then every Tom, Dick and Harry will be the next in line. They also pointed toward a failure of logic: Barbie dolls are marketed to girls under 12, while the restaurant’s clientele is exclusively adults.

Lawyers for the restaurant argued that its owners chose the name Barbie’s in 1992 as a play on words accenting the fact that it sells drinks and barbecued food. Mattel scoffed at that, saying that the only credible reason for it to use the name Barbie’s was to trade on the company’s famous line of dolls.

“Quite apart from the great difference between the appellant’s wares and the respondent’s services, they occupy different channels of trade, and the increased potential for confusion that might arise through intermingling in a single channel of trade is not present,” Judge Binnie said.

In the second case, the champagne maker argued that the Quebec clothing chain, Les Boutiques Cliquot, damaged its famous brand.

“The difference between the appellant’s luxury champagne and the respondents’ mid-priced women’s wear is significant,” Judge Binnie said. “While some trademarks transcend the wares, services and businesses with which they were originally associated, no witness in this case suggested that the Veuve Cliquot mark would be associated by ordinary consumers with mid-priced women’s clothing.”

Call for privacy protection in copyright reform

If you’re interested in privacy and copyright issues, it may be a good idea to keep Intellectualprivacy.ca bookmarked and ready at your fingertips. They just sent a letter and background paper to the Ministers of Canadian Heritage and Industry calling for:

1. any proposed copyright reforms will prioritize privacy protection by including a full privacy consultation and a full privacy impact assessment with the introduction of any copyright reform bill;

2. any proposed anti-circumvention provisions will create no negative privacy impact; and

3. any proposed copyright reforms will include pro-active privacy protections that, for example, enshrine the rights of Canadians to access and enjoy copyright works anonymously and in private.

The letter was co-signed by, among others, the Electronic Frontier Foundation, the Canadian Federation of Students, and the Canadian Association for Open Source. It was only one of several, apparently, that are part of a campaign being run by the Canadian Internet Policy and Public Interest Clinic (CIPPIC) at the University of Ottawa. More on this story here.

S.

Québec’s National Library Draws Fire from Industries

Movie rental businesses in Montréal are denouncing la Grande Bibliothèque (Québec’s newly constructed National Library) for (god forbid) lending audiovisual material. The owner of a Super-Club Vidéotron close to the library is crying unfair competition and is asking the library to remove all DVDs from its collection. (more here.) On a similar note, some music producers in Québec are asking the library to remove the CD burners from the library computers so that the CDs in the library’s collection can’t be copied. The library has flately refused, saying that the burners are essential for patrons to make copies of Québec’s heritage collection. (more here.) In the meantime, the library has seen over 664,000 visitors in the first 3 months alone. Perhaps private interests in Montréal would rather we all return to the good old days of libraries.

CopyrightAndYou 2005: the Low-Down

Hugh over at dosemagazine attended the Copyright and You conference, here in Montreal, with speaker Richard Stallman. He gives a good run down of the presentation and the panel discussion that took place afterwards. He also mentions that the audio version of the event should be available soon at indymedia.quebec.