The National Film Board of Canada has put a bunch of their classic animated shorts online for free viewing. The Big Snit is required viewing for all Canadians.
Archive for July, 2006
Act Now To Keep NSA Case in Public Courts
“Cindy Cohn, EFF’s stellar Legal Director, sez, “Senator Specter and the Bush Administration today announced that they have reached a deal to send all of the cases concerning the illegal NSA wiretapping (including EFF’s) to the secret FISA court. This is being spun in the press as a big concession by the Administration but in truth it’s an abomination — the FISA court acts in secret and doesn’t even hear argument from both sides. This bill will likely move fast, so we only have a limited window to try to stop it. Here’s s direct link to EFF’s action center to let you write to the relevant Congressional committees.” (via Boing Boing)
J.
The Corruptibles!
Huzzah to the Electronic Frontier Foundation for adding three new superheroes to the copyright world! Please welcome…..(drumroll, please)…… The Corruptibles! Has there ever been an easier way to learn about technological protection measures (TPMs)? No! Merci beaucoup, EFF.
-S.
Quick Poll on the WIPO Broadcasting Treaty
I’ve been doing some reading about the WIPO Broadcasting Treaty recently, and I thought it would be interesting to try to guage some of the perceptions about its reach. So I sent an e-mail to about 50 people explaining that there’s an international treaty on the go that’s aiming to protect broadcasters - so they want to make it totally illegal (and enforceable with new technology built into your stereo/tv equipment) to tape anything you hear on the radio or on TV without the permission of the broadcaster. They also want to make it so that if they do grant you permission to copy, you can’t, say, forward through the ads on the video you’ve made of your favourite TV show. And I posed the question: how long do you think a broadcasting corporations would want this kind of exclusive right?
The answer is 50 years.
I thought I’d be able to carve up some sort of “average” that the 46 respondents came up with. But no go: there seemed to be two classes of answers. The first was comprised of the people who guessed big: 50, 75, and 100 years (many guessed infinity, and while that’s totally what the broadcasters want, thank goodness they don’t have those kinds of rights yet). The second group tended to guess “small” and in the neighbourhood of 2, 3, 5, 7 years.
Outliers aside, I think this distribution is a pretty interesting one: there’s a split between people who guessed at the extent to which mass media corporations can control access to information (and who understanding the game, as one person said, according to “GBT (Greedy Bastard Theory)”) and those who are far more optimistic.
I thought it was really interesting, too, that some people compared how much time broadcasters should be allowed to protect their signal compared to how long they’d actually want to. Of course, the numbers tended to be drastically different as the “should” numbers were heaps smaller than the “wants.”
Here are some interesting quotes from some of the people who responded:
A train of thought on the tracks: “I’d like to hope that if I miss something important on TV right NOW, that I could watch it around the time that I retire (at the latest)…maybe in about 40 years. I hope it is not more than 40 years. My guess is 40 years. It would be funny if it was something much shorter, say 30 days or something. I am now curious. There is no way that this thing is going to go through.”
Drawing the relationship to copyright and the continual push for term extensions: “Similar to how others like Disney keep pushing to extend copyright length - death + 50yrs, death + 60yrs, death + 75yrs, do we hear death+100years?”
…and the other big factor for Canucks: “With continuing media consolidation (Bell and CHUM most recently), it will likely be more” (…more on this week’s consolidation story here) .
An astute observation about motives: “You would expect that they may give up if the program became available for sale, as a DVD of a TV show, for example, because the adfree product would be available. But they probably will still want everyone to watch the commercials in order to encourage them to buy the packaged format. ”
On advertising more generally: “My questions is this: Can we not please have FIVE free advertising minutes a day? There must be a mental health argument for it. Sometimes I try to see how long I can go before seeing an ad for something - and it’s always less than 5 minutes in-between. A billboard here, a brand name large as life on someone’s t-shirt there, a logo on everything on display at the library, a CLA conference program riddled with sponsor names…. I actually suspect there are product shots in my dreams. Honestly. They should leave me alone just for a little while every day. They make me want to run away and live in an intentional community.” Amen.
On the ability to ignore whatever comes along and create alternative media instead: “The quicker these abounded tentacles of misinformation bury themselves in bureaucracy and legalities, the sooner we can leave them to their acquired fate. The question should be whether or not we care to acknowledge their dominion over media, and do we care enough to initiate a more substantial role in creating it independently. Let them have their ‘it’l. Those who feel controlled will also feel a need to resist - glorious.”
…or circumvent it: “talk about going to heroic lengths to make BitTorrent even more popular than it already is” and “They’ll never make technology we can’t circumvent.” My concern is that the more technology they invent and implement, the fewer the number of people who can successfully learn how to hack it…
And, of course, the million dollar question, “How do we stop this?” I’m not really sure. I think it involves writing some letters if you care enough. Talk to an MLA or MP (I’ve never done that but maybe it’s time I started). International stuff is tricky because they do such a good job of diffusing responsibility. If the treaty actually becomes a reality, I think it’ll be important to participate in hacking, spreading hacks, and funding hacks.
In the meantime, one important step is probably to learn more about the issues, particularly since they *do* want to bring webscasting into the treaty (it was included as part of the main text but it’s been put into an “optional” appendix to the main text). Here are two sites to get you started:
Electronic Frontier Foundation on the treaty; and the Consumer Project on Technology also has quite a few resources, along with quite a detailed history and a link to the latest draft of the actual treaty.
Just a final point: this treaty is only about signals. Not about content. That means, even if the *content* is in the public domain or creative commons, it’s made instantly proprietary by being broadcast. You can access the content however you want to through other means, but you can’t record it. Smart, eh? I reckon they’re smart. Greedy bastards, yes, but smart ones with smart lawyers.
-S.
Protecting Trademarks - A Discussion
An interesting discussion over at Metafilter about the issue of trademark protection by corporations. This is an ongoing issue (think kleenex, coke and xerox - er, Kleenex(tm), Coke(tm) and Xerox(tm) but this particular thread was inspired by Adobe’s policy on the use of “photoshopping” as a verb, namely:
CORRECT: The image was enhanced using Adobe® Photoshop® software.
INCORRECT: The image was photoshopped.â€
J.
Freeway Blogger
Freeway Blogger is a clearing house for photos of signs that people are erecting on highways around the United States and beyond to protest the Iraq War and the Bush Administration - some humourous, some pointed, some poignant.
J.
The Pig & The Box - A Response to Captain Copyright
An artist has been inspired by the “Captain Copyright” (self-link) debacle to respond in the form of a children’s book. The book tells the story of a greedy pig who has a magic box that can produce copies of anything. Instead of promoting sharing, the pig charges others to use the box and to maintain control of anything they copy. The book is available online via a Creative Commons license.
I know of at least one other group of individuals who are planning to respond to Captain Copyright - this time in the form of a comic book called “Captain Commons with his sidekick EFF”. Know of any others? E-mail me and I’ll add them here.
(via Boing Boing)
J.
Friday Fun Link - July 14, 2006 (The Fifteeners: The Earliest Printed Books)
“Incunabula or incunables are the very first examples of books, pamphlets, and broadsides printed with moveable type in Western Europe. They range from the very first examples of the two-column Latin Bible produced by Johann Gutenberg in the 1450s to works printed through the end of the year 1500. The term “incunable” derives from the Latin word cunabula for “cradle” or “origin”, hinting at their status as the earliest of all books. Incunabula are also sometimes referred to as “fifteeners” from their appearance in the fifteenth century.”
(via [I need to make better citations when I bookmark things - most likely from Metafilter, Kottke or Boing Boing])
Friday Fun Link - July 7, 2006 (Largest Cities Throughout History)
One of the great things about doing a weekly fun link targetted at librarians is that I can basically link to anything interesting I find since it’s all information and librarians tend to be interested in…information. This week’s link is one of this type - not directly related to libraries or librarians but very cool nonetheless.
The largest cities throughout history list “is an an amazing work providing the population of cities throughout time. [The author] utilized a plethora of historical sources to locate approximate populations for the world’s largest cities since 3100 BCE.”
(via Kottke.org)
Neil Young and Protest Music
Here’s a great piece by Stephen Smith-Said, an Iraqi-American songwriter, about protest music, MTV, Billy Bragg, and the future of the free MP3. Here’s a good project for a keen librarian: draw up a list of good old censored music that we can all use as a collection development tool. Enough with the top 40, bring on the other voices!
-S.